
WORKSHOP ON "THEATRE for PEACE" with Ali Mahdi Nouri 10th January 2016 | Room G3 | College Building | SOAS University of London Ali Mahdi Nouri is the Director of the Al-Bugaa Theatre in Khartoum, the National Director of SOS Children, and the Director of the Centre for Theatre in Conflict Zones in Darfur. He has been awarded the UNESCO-Sharjah Prize for his work with child soldiers and refugees in Sudan, and the UNESCO Arab Culture Prize for the promotion of dialogue between Arabic culture and cultures of the world. In 2012 he was officially designated a UNESCO Artist for Peace.
In this practice-based workshop, Ali Mahdi Nouri will share his approach to the use of theatre as a tool for conflict resolution and for individual and social renewal. Maximum workshop capacity: 30 people Free, but booking is necessary Visit the CAS website for more information or contact cas@soas.ac.uk
Telling the story their Way: The Arts & Social Action in the Sudans 11th January 2016 | 5.15 pm - 7pm | Room 4429 | College Building SOAS, University of London
Culture in the Sudans has for some time been relegated to the scholarly margins, yet the expressive arts play an important role in inspiring reflection, challenging power, promoting identities and restoring individual and community morale. This panel will feature Ali Mahdi Nouri and John Martin, two prominent practitioners of theatre for social development, whose work with child soldiers and between victims and aggressors in Darfur and South Sudan respectively aims to facilitate social reintegration and to promote peace and reconciliation.
Speakers: Ali Mahdi Nour (Albuggaa Theatre Sudan, Unesco Artist for Peace) John Martin (PanArts, London) Chair: Angela Impey (SOAS) Visit the CAS website for more information To register contact: cas@soas.ac.uk _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Don't miss the last event of our Sudan/South Sudan Series:
The use of law as an instrument of power in Sudan and South Sudan 11th January 2016 | 5.15 pm - 7pm | Room 4429 | SOAS, University of London
This seminar examines the nature, underlying rationale and impact of the use of law in Sudan since 1989, including with reference to the role of the judiciary and other actors. Speaker: Ali Agab (Sudanese Human Rights Lawyer)-tbc- Discussant: Mashood Baderin (CAS/ SOAS) Chair: Lutz Oette (Centre for Human Rights Law, SOAS)
MINERS SHOT DOWN: The screening is followed by a Q&A session with James Nichol, defense lawyer for the victims' families. 11 January 2016 | 6 pm - 8 pm | Vernon Square | Room: V111 SOAS, University of London
 The Labour, Social Movements and Development cluster (department of Development Studies) and the Centre for African Studies are delighted to invite staff and students to the movie screening above. In August 2012, mineworkers in one of South Africa's biggest platinum mines began a wildcat strike for better wages. Six days later the police used live ammunition to brutally suppress the strike, killing 34 and injuring many more. Using the point of view of the Marikana miners, Miners Shot Down follows the strike from day one, showing the courageous but isolated fight waged by a group of low-paid workers against the combined forces of the mining company Lonmin, the ANC government and their allies in the National Union of Mineworkers. What emerges is collusion at the top, spiralling violence and the country's first post-apartheid massacre.
All welcome. There is no need to book, and seats are allocated on a first come first served basis. Visit the CAS website for more information
Satanism and Family Murder in Late Apartheid South Africa: Imagining the End of Whiteness 18 January 2016 | 5.15 pm - 7.00 pm | Room 4429 | College Building | Russell Square | SOAS, University of London In the last years of apartheid, white South African society found itself in the grip of previously unimaginable social and political change, which sometimes manifested in morbid cultural symptoms. Nicky Falkof discusses two of those symptoms, a pair of matched moral panics that appeared in the contemporary media and in popular literature. She argues that excessive reactions to the apparent threat posed by a cult of white Satanists, never proven to exist, and to a so-called epidemic of white family murder reveal important truths about fear, violence and resistance, as well as fragmentation within the poles of white South African identity: nationalism, gender, history, the family, even whiteness itself. Together, the Satanism scare and the family murder 'epidemic' draw a compelling picture of the psychic landscape of white culture at the end of apartheid, revealing both pathological responses to social change and the brutalising effects that apartheid had on those who benefited
Speaker: Nicky Falkof (University of the Witwatersrand, SA) Chair: Dr Lindiwe Dovey (SOAS) Please RSVP to cas@soas.ac.uk
AFRIKULT - 'WORDS THAT TRAVEL' EVENT SERIES Saturday 23rd January 2016 | Khalili Lecture Theatre (KLT) and the Junior Common Room (JCR) | SOAS University of London

Afrikult. presents the first of the three-part series Words that Travel. Running throughout 2016, each event focuses on particular mediums and traditions of African literature with the first featuring African poetry. Words that Travel aims to showcase the wonderful and rich diversity within the African literary genre.
A snapshot of what to look forward to: • Publishers' Market & African Food Court • Performances including Belinda Zhawi, Inua Ellams and OneNess Sankara • Screening of the first Ethiopian film entry at the Cannes Film Festival (2015): LAMB (directed by Yared Zeleke)
Admission is free. The full programme will be published on the Afrikult. website (www.afrikult.com) in January. Afrikult. is also currently crowdfunding for the event series, please find the details here and help where you can!
BUS RAPID TRANSIT IN DAR ES SALAAM: A "BETTER CITY FOR A BETTER TIME"? 25 Jan 2016 | 5.15 - 7pm | Room 4429 | College Building | Russell Square | SOAS, University of London
Transport in megacities like Dar es Salaam is always going to be a challenge - made worse when the cities are ports with only a few main roads out. Since the late 1980s the majority of commuters in the city have travelled in overloaded daladalas, small buses owned by individuals or small companies and operated by informal workers. With funding from the World Bank, to the tune of over 290m USD, Dar es Salaam embarked on Bus Rapid Transit, a huge project to bring in state of the art bendy buses on exclusive lanes, and to relegate daladalas to the outskirts of the city. Bus Rapid Transit has implied a huge investment in transport infrastructure, including the widening of the city's main roads. Drawing on fieldwork, this seminar will explore the political and economic interests behind the Bus Rapid Transit project, and how a number of Tanzanian actors are to be affected, and in turn attempt to affect, the project. Chair: Andrew Coulston (Britain-Tanzania Society) Speaker: Matteo Rizzo (SOAS) This event is organised in collaboration with the Britain-Tanzania Society. For more information and to reserve a place please contact cas@soas.ac.uk.
SCREENING: The Supreme Price 26 Jan 2016 | 7-10 pm | Khalili Lecture Theatre | SOAS, University of London
The supreme price Dir. Joanna Lipper, 75min, Nigeria/US 2014
 In 1993 Nigeria elected M.K.O. Abiola as president in a historic democratic vote that promised to end years of military dictatorship. Shortly after the election, Abiola's victory was annulled. General Sani Abacha seized power in a military coup and arrested M.K.O Abiola. During her husband's incarceration, M.K.O Abiola's wife, Kudirat, took over the leadership of the pro-democracy movement, organizing strikes and marches and winning international attention for the Nigerian struggle. Because of this work, she too became a target and was assassinated. Director Joanna Lipper elegantly explores past and present as she tells this deeply moving and intriguing story through the eyes of M.K.O and Kudirat Abiola's eldest daughter, Hafsat Abiola, who was about to graduate from Harvard when her mother was murdered. Her father died in prison two years later under mysterious circumstances. Determined not to let her parents' democratic ideals die with them, Hafsat returns to Nigeria after years in exile and is at the forefront of a progressive movement to empower women and dismantle the patriarchal structure of Nigerian society.
Screening will be followed by a Q&A with the Producer/Director Joanna Lipper.
For more info please visit: www.joannalipper.com Twitter: @joannalipper |
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